西藏甘丹彭措林寺大经堂“了义经”壁画研究——兼论壁画的题材与风格  

A Further Study of the Murals in Gtsug lag khang of Dga' ldan phun tshogsgling Monastery in Tibet: With a Discussion of their Iconography and Style

作　　者：闫雪[1] Yan Xue(Institute of Religious Studies,Shanghai Academy of Social Sciences)

机构地区：[1]上海社会科学院宗教研究所

出　　处：《藏学学刊》2021年第2期214-253,463,共41页Journal of Tibetology

摘　　要：藏传佛教觉囊派祖师笃布巴根据佛陀三转法轮经典划分出二十部了义经,于17世纪初经由觉囊派第二十八代法主多罗那他的设计指导,将这二十部经典以变相形式表现出来,分散绘制于原为觉囊派祖寺的西藏拉孜县彭措林寺大经堂的四面墙壁上。这些壁画近年来备受国内外学界关注,然迄今为止尚未有学者对壁画图像进行完整的辨识。本文将对其中以“了义经”为主的经变题材壁画进行解读,并对其复古与创新并举的画风及以其为代表的西藏经变题材绘画进行讨论。In the early 17^(th) century,the narratives of the twenty"Definitive-Meaning Sūtras"defined by the great Jo nang master Dol po pa Shes rab rgyal mtshan(1292-1361)were painted on the walls of Gtsug lag khang of Dga'ldan phun tshogs gling Monastery that was designed and constructed by Tāranātha(1575-1634).These murals have attracted a great deal of interest among art historians in recent years,but the fundamental work of the iconographical identification has yet to be completed.Based on previous studies,this article mainly focuses on the identification of a portion of these murals together with a brief discussion of their subject-matter and style.

关 键 词：觉囊派 大经堂 多罗那他 藏传佛教 三转法轮 祖寺 经变 拉孜县 

分 类 号：B94[哲学宗教—宗教学]