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作 者:李勇[1] Li Yong
机构地区:[1]苏州大学文学院,苏州215123
出 处:《中国文学批评》2024年第3期152-162,192,共12页Chinese Journal of Literary Criticism
摘 要:文学理论的知识生成不是理论内部的逻辑演绎,而是感性的文学经验介入理论话语所推动的知识创新。感性的文学经验介入理性的理论话语的方式是对话,对话的话语基础是情理。情理是一种文化中人们共享的一套认识世界、解释世界、感受世界的智慧系统。文学用虚构与想象的方式、用诗性的语言来表达情理,理论用理性的论述来表达情理。因此,情理是感性的文学经验介入理论知识生成的话语基础。文学经验与理论话语共同遵守通情达理的话语规则,理论话语与文学经验对话的切入点是情感,并随着具体情境改变具体的对话方式。通过在常识中互相印证,以辩证思维进行互动,依据具体历史情境中的特定境遇展开对话,理论话语才能把情理讲通,合情合理的理论知识才能生成。The generation of knowledge in literary theory is not an internal logical deduction of theory but an innovation driven by the intervention of perceptual literary experience into theoretical dis-course.Literature expresses reason using fictional,imaginative,and poetic means,while theory articulates it through rational discourse.Therefore,sentimentality is the discursive foundation for the intervention of perceptual literary experience in the generation of theoretical knowledge.Literary experience and theoretical discourse both adhere to the rules of reasonable discourse,and the entry point for dialogue between them is emotion,which adapts its mode of dialogue accord-ing to specific contexts.Through mutual verification in common sense and interaction via dialec-tical thinking,and by engaging in dialogue based on specific historical contexts,theoretical dis-course can articulate reason effectively,allowing for the generation of coherent and reasonable theoretical knowledge.
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