情感之为客体关系:走向当代精神分析艺术理论  

Affects as Object Relations:Towards a Contemporary Psychoanalytic Art Theory

作　　者：黄敏 HUANG Min(Institute of Art,Communication University of China)

机构地区：[1]中国传媒大学艺术研究院

出　　处：《中国人民大学学报》2024年第4期149-159,共11页Journal of Renmin University of China

基　　金：中国博士后科学基金第74批面上资助项目“当代图像理论中的移情问题研究”(2023M743280);中央高校基本科研业务费专项资金资助项目“文化转向与艺术文化史范式研究”(CUC230B057)阶段性成果。

摘　　要：客体关系的精神分析理论将艺术视为主客体之间“移情”与“反移情”的交流过程,在当代情感研究中彰显潜力。克莱因的“破坏”与“修复”心理模型、温尼科特的“游戏”与“潜在空间”概念、艾伦茨威格的“创造力三阶段”图式共同提供了一条探索艺术的形式特征、具身的审美经验和外在的文化现实之间深层互动的技术路径。情感之为客体关系,意味着人与外部现实的原发关系根本上被感觉为人与人的关系,在人性化的意义上释放了艺术作品的能动性,也为当代各种角度的艺术阐释提供了一种人格理论上的连接。The psychoanalytic theory of object relations regards art as the communication process of"transference"and"countertransference"between the subject and the object,showcasing signifi-cant potential in contemporary affect studies.Melanie Klein's psychological model of"attack"and"repair",D.W.Winnicott's concepts of"play"and"potential space",and Anton Ehrenzweig's schema of"the three phases of creativity"collectively offer a technical pathway to explore the deep interaction between formal features of art,embodied aesthetic experiences,and external cultural realities.Taking affects as object relations implies that the primary interaction between individuals and the external reality is essentially perceived as interpersonal relationships.In a humanistic sense,this perspective releases the agency of artistic works and provides a theoretical link for various levels of contemporary art interpretation.

关 键 词：精神分析 客体关系 情感 交流过程 

分 类 号：J02[艺术—艺术理论]