以马克思主义技术-艺术观检视当代人工智能艺术的创新  

Examining the Innovativeness of Contemporary AI Art from Marxist View of Technology and Art

作　　者：吴维忆 Wu Weiyi

机构地区：[1]南京大学艺术学院,210093

出　　处：《文艺理论研究》2024年第3期13-22,共10页Theoretical Studies in Literature and Art

基　　金：国家社科基金重大项目“当代艺术提出的重要美学问题研究”[项目编号:20&ZD050]的阶段性成果。

摘　　要：目前针对人工智能艺术的美学和文艺理论研究主要关注原创性和主体性等议题,这一倾向所反映的工具论的技术观背离了艺术与科技融合的趋势。鉴于此,本文提出从马克思主义艺术生产理论的视角考察人工智能创作,通过辨析艺术生产理论谱系中的各种技术观念,梳理从机械复制到数字原创的技术脉络,进一步从社会组织、精神生产和“不平衡”问题三个方面,阐释人工智能艺术的内涵及潜能。据此,本文认为人文艺术学者应当着眼于艺术、技术、社会的辩证关系考察数字时代的精神生产实践,推进当代美学的生产转向,实现马克思主义艺术理论的当代创新。Current aesthetic and literary theoretical research on AI art primarily focuses on issues such as originality and subjectivity,which reflects an instrumentalist view of technology that deviates from the trend toward the integration of art and technology.For this reason,this article examines AI creation from the perspective of Marxist art production theory.By identifying various technological concepts in the genealogy of art production theory and sorting out the technological lineage from mechanical reproduction to digital originality,this article further explains the connotation and potentiality of AI art from three aspects:social organization,spiritual production,and the problem of“imbalance”.Accordingly,it argues that scholars in humanities and art should examine the practice of spiritual production in the digital age through the dialectical relationship between art,technology,and society,in order to propel the production turn of contemporary aesthetics and realize the contemporary innovation of Marxist art theory.

关 键 词：马克思 人工智能艺术 数字原创 艺术生产 

分 类 号：J0[艺术—艺术理论] I01[文学—文学理论] TP18[自动化与计算机技术—控制理论与控制工程]