宗周乐舞思想内涵发微  

On the Connotation of Zongzhou's Music and Dance Thought

作　　者：杜乐 Du Le(College of Humanities,Beijing Dance Academy)

机构地区：[1]北京舞蹈学院人文学院

出　　处：《中国舞蹈学》2024年第1期60-82,349,350,共25页CHOREOLOGY IN CHINA

基　　金：北京市教委科研项目《先秦乐舞思想研究》(项目编号:SM201910051001)中期成果;北京舞蹈学院校级科研项目《周代乐舞研究》(项目编号:0621085/022)终期成果。

摘　　要：周公“制礼作乐”,开启中国礼乐教化之先河。礼乐作为一个整体,建立起神人以和、和谐五伦的礼乐制度。从“乐”的角度而言,诗、乐、舞为一体,一方面为“礼”服务,配合礼,节情、饰貌和安乐。另一方面以乐舞保障礼的秩序,以乐舞提升品德修养,以乐舞开展礼乐教化,乐舞成为社会“移风易俗”的重要手段。本文以“舞”为研究入手点,在比较宗周时期礼、乐、舞之关系的基础上,深入探索“舞”在礼乐文化中的价值和意义,以期为当代中国舞蹈的发展建设提供人文传统和文化依据。"Zhi Li Zuo Yue"opened the first enlightenment of Chinese rites and music.From the perspective of"music",poetry,music and dance are the whole.On the one hand,it serves"ritual",cooperates with ceremony,love,appearance,and happiness.On the other hand,music and dance are used to ensure the order of etiquette,music and dance to enhance moral cultivation,and also,music and dance have become an important means of social customs.Taking"dance"as the research point,and on the basis of comparing the relationship between ritual,music and dance in the Zhou period,this paper deeply explores the value and significance of"dance"in the ritual and music culture,in order to provide the humanistic tradition and cultural basis for the development and construction of contemporary Chinese dance.

关 键 词：制礼作乐 礼 乐 乐舞 人文教化 

分 类 号：I20[文学—中国文学]