汉代盘鼓舞中的身体观探赜  

Exploring the Body View in the Han-dynasty Pangu Dance

作　　者：李晓鸥[1] 梅榆昆 Li Xiao'ou;Mei Yukun(College of Dance,Sichuan Conservatory of Music)

机构地区：[1]四川音乐学院舞蹈学院

出　　处：《中国舞蹈学》2024年第1期119-126,354,355,共10页CHOREOLOGY IN CHINA

基　　金：2022年度四川省扬雄研究中心一般项目“汉代百戏舞蹈研究”(项目编号:YX202204)的结项成果。

摘　　要：盘鼓舞是我国汉代舞蹈中的一种类型,此舞不仅以高超的舞技流传千古,更以意蕴深长的表演境界震撼人心。汉代盘鼓舞精湛的舞蹈技艺背后,体现着我国传统道教所倡导的身体观。本文通过对汉代盘鼓舞动作技术以及表演的分析,窥探其中体现的身体技艺观。提出要练就此舞,舞人需要修炼“气炁技术”“反胴动律”的身体技术,从而达到“形神相守”的表演。Pangu dance is a type of dance in the Han Dynasty of China,which not only passed down through the ages with superb dance techniques,but also shook people's hearts with its profound performance realm.Behind the exquisite dance techniques of the Han-dynasty Pangu dance,it embodies the body view advocated by traditional Taoism in China.This article analyzes the techniques and performances of the Han-dynasty Pangu dance movements,and explores the body skills reflected in them.To practice this dance,dancers need to cultivate body techniques such as"Chiqi technique"and"anti-body movement rhythm",in order to achieve a performance of"unity of form and spirit".

关 键 词：盘鼓舞 道教 身体观 气炁技术 反胴动律 形神相守 

分 类 号：G63[文化科学—教育学]