中华民族共同体视域下民族音乐创作思考——再论作曲家刘健的新民族根源音乐  

Reflections on Ethnic Music Composition from the Perspectiveof the Community of the Chinese Nation: A Reexamination ofComposer Liu Jian’s New Ethnic Roots Music

作　　者：李鹏云[1] LI Peng-yun

机构地区：[1]武汉音乐学院作曲系,湖北武汉430060

出　　处：《中南民族大学学报（人文社会科学版）》2024年第8期86-94,184,185,共11页Journal of South-Central Minzu University (Humanities and Social Sciences)

基　　金：湖北省高校省级教学研究项目“人工智能背景下湖北省计算机音乐研究生联合培养研究”(2022403)

摘　　要：著名作曲家刘健从20世纪90年代开始,陆续创作了包括《盘王之女》《黑珍珠》等在内的电子音乐专辑,从而确立了“新民族根源音乐”风格。2024年是其诞辰70周年纪念年。在铸牢中华民族共同体意识的时代背景下,重拾这些作品,可见其所彰显出的中国民族音乐创新发展、追求共性以及文化共享特点。随着当今音乐人工智能迅猛发展及不同媒介艺术的高度融合,新民族根性音乐将为新时代中国民族音乐创作提供很好的思路和参考。Since the 1990s,the esteemed composer Liu Jian has sequentially produced electronic music albums,including“Daughter of the Pan King”and“Black Pearl”,thereby establishing the style of“New Ethnic Roots Music”.The year 2024 commemorates the 70th anniversary of his birth.In the context of consolidating a strong sense of community for the Chinese nation,revisiting these works reveals their embodiment of the innovative development,pursuit of commonality,and cultural sharing in Chinese music.Amidst the rapid advancement of music artificial intelligence and the profound integration of various media arts,Liu Jian’s New Ethnic Roots Music offers valuable insights and references for the creation of contemporary Chinese ethnic music.

关 键 词：中华民族共同体 刘健 新民族根源音乐 电子音乐 民族共性 文化共享 

分 类 号：C95[社会学—民族学]