朱光潜在20世纪意象理论现代转型中的贡献和局限  

Zhu Guangqian's Contribution and Limitations in the Modern Transformation of Imagery Theory in the 20th Century

作　　者：简圣宇 JIAN Shengyu(School of Art and Design,Yangzhou University,Yangzhou 225009,Jiangsu,China)

机构地区：[1]扬州大学美术与设计学院,江苏扬州225009

出　　处：《扬州大学学报（人文社会科学版）》2024年第4期105-117,共13页Journal of Yangzhou University(Humanities and Social Sciences Edition)

基　　金：国家社科基金一般项目“中国传统意象理论的现代阐释研究”(20BZX131)。

摘　　要：作为一位起到承前启后作用的关键性人物,朱光潜对20世纪中国意象理论的现代转型产生了深远影响。他努力以一种学科化、系统化的阐释态度探讨意象生成机制的基本样貌,将意象理论研究推上了学理化的正轨。他以学科化的话语对“意象”概念的内涵及其基本特征进行了定义,又针对意象生成的心理基础展开分析,并且围绕“心灵综合能力”和“直觉”问题进行细致阐述。有必要从历史和理论两个维度对他所做贡献和其自身局限进行分析,从而为中国当代美学研究提供历史参考和思想借鉴。As a crucial figure connecting the past and the future,Zhu Guangqian has a profound impact on the modern transformation of imagery theory in 20th century China.He strives to explore the basic appearance of the mechanism of image generation with a disciplinary and systematic interpretive attitude,and steers the research of imagery theory on the academic track.He defines the connotation and basic characteristics of the concept of“image”as a disciplinary term,analyzes the psychological basis of image generation,and elaborates on the“comprehensive ability of the mind”and"intuition".It is necessary to conduct a historical and theoretical analysis of his contributions and limitations to provide historical and ideological references for contemporary Chinese aesthetic research.

关 键 词：朱光潜 意象理论 现代转型 心灵综合能力 直觉 

分 类 号：B83-0[哲学宗教—美学]