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作 者:吴琳 刘嘉悦 WU Lin;LIU Jiayue(School of Marxism,Wuhan University of Technology,Wuhan,Hubei 430070,China)
机构地区:[1]武汉理工大学马克思主义学院,湖北武汉430070
出 处:《河北师范大学学报(哲学社会科学版)》2024年第5期56-63,共8页Journal of Hebei Normal University(Philosophy and Social Sciences)
摘 要:人工智能渐渐被广泛应用于艺术创作领域,艺术创作的想象力与创造力得到极大提升,艺术的形式与创作工具更为丰富。然而,人工智能“创作”与真正的艺术创作相比,缺少了感性经验这一重要因素。基于雅克·朗西埃对艺术体制的划分(伦理体制、艺术的再现体制和艺术的美学体制),艺术的美学体制超越了前二者,因为真正的艺术是对感性经验的重构,并建立起新的感性共同体。相较而言,人工智能无法洞悉作品所蕴含的存在体验,也不具备人类大脑的思维能力,因而无法拥有真实的生命体验与真实的审美价值。所以,人工智能“创作”无法取代人类的艺术创作。在蓬勃发展的人工智能时代,艺术创作应正视技术的发展,更应始终坚信人类所独有的情感与感性力量,捍卫真实的审美。The advent of artificial intelligence(AI)has led to its increasing infiltration into the realm of artistic creation,augmenting imaginative capacity and diversifying artistic mediums and techniques.Despite these advancements,AI-generated art remains fundamentally distinct from genuine creative art due to the absence of a critical component:perceptual experience.Among Jacques Rancière’s tripartite categories of regimes of art,namely,the ethical,the representative,and the aesthetic regimes,it is the latter regime that sublimates the other two,as it revolves around the reconstitution of perceptual encounters and the forging of novel perceptual collectives.Genuine art,therefore,lies in its ability to encapsulate and convey lived,existential experiences.In stark contrast,AI,lacking the capacity for both perceiving and cognizing the existential depth embedded within artworks,falls short in simulating the intricate thought processes inherent to human cognition.Consequently,it fails to generate authentic life experiences and accrue genuine aesthetic worth.In the thriving age of AI,while embracing technological advancements,creative art must steadfastly affirm the irreplaceable emotive and sensory faculties unique to humanity and uphold the sanctity of genuine aesthetics.AI-generated art,impressive as it may be,cannot supplant the profound essence of human creative expression.
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