论中国马克思主义文学反映论的范式转换  

On the Paradigm Shift of Chinese Marxist Theory of Literary Reflection

作　　者：张立军 ZHANG Lijun(Editorial Department of Art Panorama,Liaoning Academy of Literature,Shenyang 110032,China)

机构地区：[1]辽宁文学院《艺术广角》编辑部,辽宁沈阳110032

出　　处：《辽宁大学学报（哲学社会科学版）》2024年第4期113-121,共9页Journal of Liaoning University(Philosophy and Social Sciences)

基　　金：国家社会科学基金重大项目“文学理论中国范式研究”(19ZDA266);辽宁省社会科学基金重点项目“新时代马克思主义文艺批评的伦理向度研究”(L21AZW003)。

摘　　要：马克思主义文学反映论在中国马克思主义文艺理论发展过程中具有重要的地位和价值。文章将由库恩提出、经姚斯所论述的文学范式作为观照文学反映论的基本理论方法,主要讨论20世纪中国马克思主义文学反映论的范式转换问题。中国马克思主义文学反映论范式经历了范式常规化发展、范式危机及范式转换三个阶段,文章着重从范式的转换视角,探讨进入范式危机后中国马克思主义文学反映论所面临的调试过程及其话语转变策略,从而审视文学反映论范式转换过程的不同发展路向。Marxist theory of literary reflection has an important position and value in the development of Marxist literary theory in China.The article mainly uses the literary paradigm proposed by Thomas.s.Kuhn and discussed by Hans Robert Jauss as the basic theoretical method for observing literary reflection theory.It mainly discusses the paradigm shift of Marxist theory of literary reflection in the 20th century in China.The paradigm of Chinese Marxist theory of literary reflection has gone through three stages,the paradigm normalization development,the paradigm crisis,and the paradigm shift.This article focuses on the perspective of paradigm shift,exploring the adjustment process and discourse transformation strategies faced by Chinese Marxist theory of literary reflection after entering the paradigm crisis,in order to examine different development directions of the paradigm shift process of literary reflection theory.

关 键 词：文学反映论 反映论范式 范式危机 范式转换 

分 类 号：I01[文学—文学理论]