趣味理论视域下民间美术的乡村美育价值研究——基于滇西地区的田野调查  

Research on the Value of Rural Aesthetic Education of Folk Art from the Perspective of the Theory of Taste:Based on a Field Investigation in Western Yunnan

作　　者：王雪宁 芮法彬[1,2] Wang Xuening;Rui Fabin

机构地区：[1]中央民族大学美术学院 [2]中央民族大学国家民委民族美术创意创新研究中心

出　　处：《中国社会科学院大学学报》2024年第6期113-127,147,148,共17页Journal of University of Chinese Academy of Social Sciences

摘　　要：布尔迪厄对康德趣味理论的批判,使趣味由抽象普遍的论述转向社会具体意义的分析。布尔迪厄以“(习性)(资本)+场=实践”这一理论公式揭示趣味的社会生产,为历来备受偏见的大众趣味辩护。基于布尔迪厄理论的分析,民间美术这一大众趣味产物的实践是在习性、资本、场等因素共同作用下的社会生产。在此基础上挖掘民间美术激发主体内在审美趣味、提升文化资本存量、推动大众审美持续生产、重建乡村公共性等乡村美育价值,对乡村振兴及美育发展兼具意义。Bourdieu's remarks on Kant's theory of taste made taste shift from an abstract and general discussion to an analysis of the specific social significance.Bourdieu revealed the social production of aesthetic taste with the theoretical formula of"(habit)(capital)+field=practice",defending the popular taste that has always been biased against.According to Bourdieu's theory,the practice of folk art,a product of popular interest,is a social production process under the joint action of factors such as habits,capital,and fields.Consequently,it is of great significance for rural revitalization and the development of social aesthetic education to explore the value of folk art in stimulating the public inner aesthetic taste,enhancing the potential of cultural capital,promoting the continuous production of aesthetics,and rebuilding the countryside aesthetic community.

关 键 词：布尔迪厄 趣味 社会培育 民间美术 乡村美育 

分 类 号：C91[经济管理]