保罗·利科的“事件”概念之于创意写作研究的意义  

The Enlightenment of Paul Ricoeur’s“Event”Concept to Creative Writing Research

作　　者：蓝庆保 Lan Qingbao(DongGuan Open University;Macao University of Science and Technology,China)

机构地区：[1]东莞开放大学 [2]澳门科技大学,中国澳门

出　　处：《写作》2024年第4期122-128,共7页Writing

基　　金：2023年度广东远程开放教育科研基金项目一般项目“《齐物论》创意思维研究”(项目编号:YJ2302)。

摘　　要：在《事件的诗学:保罗·利科的“事件”概念》一书中,刘欣对保罗·利科的“事件”概念作了全面的梳理和分析。通过细读该书,可以发现保罗·利科的“事件”概念之于创意写作研究的意义和价值:在创意本体方面,“事件”概念强调叙述是生成意义的一种方式,这与创意写作突出通过写作来不断地探索和发现个体的创意潜力,具有内在一致性;在创意阅读方面,叙述过程中的“再塑形”概念凸显读者的主动性和创造性,与创意阅读的内涵基本相通;在创意写作方面,作为意向性活动的叙述是利用文字对事件进行重新编排、整合,这可以当作理解创意写作的另一个视角。In the book The Poetics of Events:Paul Ricoeur’s Concept of Events,Liu Xin provides a comprehensive review and analysis of Paul Ricoeur’s concept of“events”.Through careful reading of the book,we can discover the significance and value of Paul Ricoeur’s concept of“events”in the studies of creative writing:In terms of creative ontology,the concept of events emphasizes that narrative is a way of generating meaning,which is consistent with creative writing through writing as it constantly explores and discovers the individual’s creative potential;In terms of creative reading,the concept of“reshaping”in the narrative process highlights the reader’s initiative and creativity,which is basically similar to the connotation of creative reading;In terms of creative writing,narrative as an intentional activity uses words to rearrange and integrate events,which is providing a distinct perspective on creative writing.

关 键 词：事件 创意写作 创意阅读 创意本体 

分 类 号：I206[文学—中国文学]