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作 者:周肖肖 Zhou Xiaoxiao
机构地区:[1]武汉体育学院国际教育学院
出 处:《华文文学》2024年第4期31-41,共11页Literatures in Chinese
基 金:武汉体育学院青年教师科研基金“美国华裔女性新生代英文小说家族叙事的主题研究”,项目编号:2021S08。
摘 要:20世纪90年代以后登上美国文坛的华裔女性作家群体,虽然以英文为创作媒介,却都选择将自己的华裔家庭作为书写对象。新生代作家笔下的叙述者通常是华裔家庭中的女性,她们会以第一人称“我”、“她”或“我们”的身份指称出现,有着鲜明的女性叙述声音的表征,由此华裔女性对华裔家族命运以及对东西方文化关系的思考得以呈现。在充分考虑时间性和社会性范畴的基础之上,本文将张岚、翟梅莉、刘恺悌、伍美琴等作为代表,并借用苏珊·兰瑟等有关叙述声音的理论,分析美国华裔女性新生代英文小说家族书写中的作者型声音、个人型声音以及集体型声音。Although the Chinese women writers as a group that appeared in the American world of letters in the 1990s use English as their creative medium,they all used their Chinese families as the writing object.The narrator under the pen of the new generation of writers is often a female member of a Chinese family who appears in the first person narrative or as a she or we,with features of vividly descriptive female voice.That way,the Chinese women's thoughts on the fortune of the Chinese family and the cultural relationship between the East and the West can be represented.Fully based on the categories of time and society,this paper seeks to regard Lan Samantha Chang,May-Lee Chai,Catherine Liu and Mei Ng as the representatives and,by borrowing theories on narrative voice from people like Susan S.Lanser,analyzes the writer's voice,the individual's voice and the collective voice in the family writing of the English fiction by the new generation of Chinese American women writers.
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