数字人文技术下的“文学终结论”——基于元宇宙文学生态的反思  

The“Literary End Theory”under Digital Humanities Technology--Reflections Based on the Literary Ecology of Metaverse

作　　者：严旭 马晓 YAN Xu;MA Xiao(College of Liberal Arts,Liaoning University,Shenyang,Liaoning Province 110136)

机构地区：[1]辽宁大学文学院,辽宁沈阳110136

出　　处：《楚雄师范学院学报》2024年第5期95-104,共10页Journal of Chuxiong Normal University

基　　金：辽宁省社会科学基金项目“中国特色马克思主义文学理论体系研究”(L12AZW001)。

摘　　要：元宇宙作为新的艺术媒介是数字人文技术发展的必然产物,其凭借自由开放的虚拟现实空间、全新的感知方式和沉浸式交互体验,对传统文学的生存空间形成了挤压之势。与此同时,数字人文技术之下的人工智能写作经由人机协作引发了文学主体的重构,这些都剧烈影响了文学的生存环境,在一定程度上改变了文学的发展走向。数字人文技术发展的背后不仅是人文和科技的融合,也带来了尖锐的冲突。观照“文学终结论”之后文学的新变及对未来文学之发展的现实考量,为我们反思元宇宙时代的文学生存提供了重要的参照系。The metaverse,as a new artistic medium,is an inevitable product of the development of digital humanities technology.With its free and open virtual reality space,new perception methods and immersive interactive experience,it compresses the living space of traditional literature.At the same time,AI writing under digital humanities technology has triggered the reconstruction of literary subjects through human-machine cooperation,which has greatly affected the survival environment of literature and,to some extent,influenced the fate of literature.Behind the development of digital humanities technology exists not only the integration of humanities and technology,but also their sharp conflicts.Observing the new changes in literature after the“end of literature theory”provides an important reference frame for us to reflect on the literary survival in the metaverse era,which has profound practical considerations for the development of future literature.

关 键 词：数字人文 元宇宙 人工智能 文学终结论 

分 类 号：I0-02[文学—文学理论]