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出 处:《歌剧》2024年第9期80-89,共10页Opera
摘 要:应该说我也算得上有些年纪了,所以我还记得多年前指挥家罗杰·诺林顿(Roger Norrington)提出了一个在当年算得上激进的概念:他参考了考古研究以还原古乐器,并按时间顺序演奏贝多芬的全套交响曲。I'm old enough to remember whenthe conductor Roger Norrington came up with a then-radical notion to conduct all the Beethoven symphonies in order on period instruments.Up till then,"historical authenticity"had only gone so far-literally,up to Mozart on the musicological timeline-and audiencaudiences came into the Beethoven project clearly divided over whether or not the same sense of discovery that period instruments brought to the Baroque repertory would have a similar effect on the most famous symphonies in the classical cannon.
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