儒家色彩艺术研究  

The Study of Confucian Color Art

作　　者：王晓博[1] Wang Xiaobo(Shandong University of Arts)

机构地区：[1]山东艺术学院

出　　处：《色彩》2024年第7期67-69,共3页Color

摘　　要：本研究将采用多种方法进行探究,包括文献综述、案例分析和理论分析等。首先,将通过对儒家色彩艺术的历史文献和经典作品进行文献综述,深入挖掘其理论内涵和艺术特点,从而全面了解儒家色彩观念在艺术创作中的具体应用与体现。其次,将结合当代艺术实践和社会现实,进行案例分析,探讨儒家色彩艺术在当代社会中的实践应用和文化传承意义,以及其对当代艺术的启示和影响。最后,将进行理论分析,通过对不同角度的综合分析和深入探讨,构建儒家色彩艺术研究的理论框架,为推动传统文化的传承与发展提供理论支撑和实践指导。综合运用这些方法,将有助于全面深入地探究儒家色彩艺术的内涵、意义和发展,促进传统文化的传承与创新,推动艺术与人文精神的融合与发展。This study will use a variety of methods to explore,including literature review,case analysis and theoretical analysis.First of all,through the literature review of the historical documents and classic works of Confucian color art,the theoretical connotation and artistic characteristics of Confucian color art will be deeply explored,so as to comprehensively understand the specific application and embodiment of Confucian color concept in artistic creation.Secondly,combining contemporary art practice and social reality,case studies will be carried out to discuss the practical application and cultural inheritance significance of Confucian color art in contemporary society,as well as its inspiration and influence on contemporary art.Finally,theoretical analysis will be carried out.Through comprehensive analysis and in-depth discussion of different perspectives,a theoretical framework for the study of Confucian color art will be constructed to provide theoretical support and practical guidance for promoting the inheritance and development of traditional culture.The comprehensive application of these methods will help to comprehensively and deeply explore the connotation,significance and development of Confucian color art,promote the inheritance and innovation of traditional culture,and promote the integration and development of art and humanistic spirit.

关 键 词：中国传统色彩 儒家色彩观 古代色彩文化 现代建筑 雕刻 现代色彩 

分 类 号：J063[艺术—艺术理论] B222[哲学宗教—中国哲学]