徐复观的文艺阐释学思想  

Xu Fuguan’ s Literary Hermeneutics Thought

作　　者：严旭 YAN Xu(College of Liberal Arts,Liaoning University,Shenyang 110136,China)

机构地区：[1]辽宁大学文学院,辽宁沈阳110136

出　　处：《辽东学院学报（社会科学版）》2024年第3期59-64,共6页Journal of Liaodong University：Social Science Edition

基　　金：辽宁省社会科学基金项目“中国特色马克思主义文学理论体系研究”(L12AZW001)。

摘　　要：作为新儒家学派代表,徐复观以儒道思想为根基,结合中国古典阐释学实践经验,引入西方话语理论,立足于中国古典诗歌和绘画等艺术作品,形成了独具中国风格和气派的阐释学思想。他提出,对文艺作品的阐释要以“追体验”的方式实现阐释主客体之间艺术精神的融通契合。他还运用“心斋坐忘”与“共许”等概念解决了阐释过程中出现的相对主义和强制阐释等难题。他的辩证的阐释学方法论,为建构中国阐释学开拓了新的思路和境界。As a representative of the new Confucian school,Xu Fuguan,based on Confucianism and Taoism and Chinese classical poetry and painting works,formed a unique Chinese style and style of hermeneutics by combining the practical experience of Chinese classical hermeneutics and Western discourse theory.He proposed that the interpretation of literary and artistic works should achieve the integration of the artistic spirit between the subject and the object in the way of“pursue experience”.He also used the concepts of“eliminating all thoughts and desires”and“ascertained by both sides”to solve the problems of relativism and compulsory interpretation in the process of interpretation.His dialectical hermeneutics methodology has opened up new ideas and realms for the construction of Chinese hermeneutics.

关 键 词：徐复观 文艺阐释学 追体验 相对主义 强制阐释 

分 类 号：I0-03[文学—文学理论]