多维度解读《文城》:兼论余华的创作特质  

Multidimensional interpretation of Wencheng:Also Discussing YU Hua’s Creative Characteristics

作　　者：林怡霏 LIN Yifei(Fujian Normal University,Fuzhou 350007,China)

机构地区：[1]福建师范大学,福建福州350007

出　　处：《金华职业技术学院学报》2024年第4期76-81,共6页Journal of Jinhua Polytechnic

摘　　要：长篇小说《文城》综合了余华各时期创作的风格和特色,既有20世纪80年代的先锋性质,又有20世纪90年代现实主义写作的传统特质。通过梳理余华的创作历程,深入分析小说的创作主题、叙述方式和人物形象设计,可观照余华的创作特质及其写作范式的变化。在《文城》中,余华创设了时空交汇、以偏补正的写作手法,塑造了众多在现实生活中和时代历史下挣扎生存的人物形象,由此展现出余华独特的写作风格和文学关怀。The novel Wencheng combines the styles and characteristics of YU Hua’s creations in various periods,with both the avant-garde nature of the 1980s and the traditional characteristics of realism writing in the 1990s.By combing through YU Hua’s creative process,analyzing in depth the themes,narrative methods,and character designs of the novel,we can observe YU Hua’s creative traits and changes in writing paradigms.In Wencheng,YU Hua created a writing technique that combines time and space,using deviation correction to shape numerous characters struggling to survive in real life and historical context,thus showcasing YU Hua’sunique writing style and literary concern.

关 键 词：余华 《文城》 先锋特质 传统写作 

分 类 号：I207.6[文学—中国文学]