重申影视改编的三个命题:伦理原则、构成阶段和美学理想  

Reaffirming the Three Propositions of Film and Television Adaptation:Ethical Principles,Constitutive Stages and Aesthetic Ideals

作　　者：陈林侠[1] Chen Linxia

机构地区：[1]中山大学中文系

出　　处：《中国文艺评论》2024年第9期54-63,I0003,共11页China Literature and Art Criticism

基　　金：2019年度国家社科基金重大项目“中国电影文化竞争力与海外市场动态数据库建设”(项目批准号:19ZDA271)的阶段性成果。

摘　　要：在当下中国影视改编的新现象中,需要重申三个美学命题:第一,尊重源/前文本的伦理原则,“大胆虚构”最终还须落实在“谨慎改编”上。无论采取哪种改编方法,都应当对参照、借鉴、依赖的原作,保持起码的尊重甚至敬畏。第二,“存同”与“求异”是改编创作前后相继、主次有别的两个阶段。“存同”是指内容或形式因某种相似性而产生的共鸣,是改编的开始。“求异”则是在辨识自身匮乏的时候,厘清所要借鉴的内容,这是改编创作的主体部分。第三,追求“神似”的美学理想。中华传统美学对改编的理论阐释具有特殊的优势,形似与神似的两分法有效解决了改编分类的问题,更重要的是,“神似”作为改编的根本方法,确立了最高的美学理想。In the new phenomenon of film and television adaptation in China today,three aesthetic propositions need to be reaffirmed.The first is the ethical principle of respecting the original/pre-text,which means that“bold fictionalization”should ultimately be implemented in“prudent adaptation”.No matter which method of adaptation is adopted,a minimum of respect and even reverence should be maintained for the original work that is referenced to,borrowed from,or relied upon.Secondly,“preserving the similarity”and“seeking differences”are two phases of adaptation creation,one after the other and with a different order of priority.“Keeping the same”refers to the resonance of content or form due to certain similarities,and is the beginning of adaptation.“Seeking differences”is the main part of adaptation creation,which is to clarify the content to be borrowed while recognizing one’s own lack.The third is the pursuit of the aesthetic ideal of“similarity in spirit”.Traditional Chinese aesthetics has a special advantage in the theoretical interpretation of adaptation,within which,the dichotomy between the similarity in appearance and the similarity in spirit effectively solves the problem of categorization of adaptation,and more importantly,“similarity in spirit”,as the fundamental method of adaptation,establishes the highest aesthetic ideal.

关 键 词：改编 伦理 存同 求异 神似 

分 类 号：J904[艺术—电影电视艺术]