不一样的“水浒”——间接翻译与形象构建  

An“Other(ness)”Story from Shuihu Zhuan:Indirect Translation and Image Construction

作　　者：王运鸿 WANG Yunhong

机构地区：[1]暨南大学外国语学院,广东广州510630

出　　处：《外语研究》2024年第5期23-30,F0003,共9页Foreign Languages Research

基　　金：中央高校基本科研业务费专项资金资助项目“中国古典白话小说在英语世界译介传播的历史流变与接受影响研究”(编号:23NJYH07);江西省高校人文社科研究项目“《射雕英雄传》在英语世界的传播接受与中国形象建构研究”(编号:YY22212)的阶段性成果。

摘　　要：目标语导向下,间接翻译具有与直接翻译相同的功能,这使其成为翻译研究中不可忽视的领域。本文从形象学视角出发,聚焦《水浒传》间接译本Robbers and Soldiers,探讨间接翻译如何影响中国文学与文化在英语世界的传播。由于中介译本的滤镜效果,间接翻译抹去了儒家传统的忠义思想,增加爱情和女性母题,给西方读者呈现出一个浸润着个人主义与浪漫主义色彩的故事。间接翻译虽受到中介译本的影响,但它对中国文学文化形象构建发挥着重要作用。Indirect translation fulfills the same function as direct translation to the target society,which makes it an equally legitimate domain of translation research.The present article centers on Robbers and Soldiers,a renowned indirect translation of the Chinese classic Shuihu Zhuan,to reveal how indirect translation impacts the dissemination of Chinese culture in the Anglophone world from the imagological approach.The study finds that,due to the filtering of the mediated translation,the indirect translation has presented to the western readers a robber story different from that of the original but permeated with Western individualism and romanticism by erasing the traditional Confucian“loyalty”and“brotherhood”thoughts and adding the love and womanhood motifs.Indirect translation plays the same crucial role in the image construction of Chinese literature and culture as direct translation,although the former is inevitably influenced by the mediating text.

关 键 词：《水浒传》 间接翻译 形象构建 性别伦理 形象学 

分 类 号：H059[语言文字—语言学]