系统观与方法论:网络文艺评论的审美指向和思维展开  

Systematic View and Methodology: Aesthetic Orientation and ThinkingDevelopment of Online Literary Criticism

作　　者：彭文祥[1] 袁芳 PENG Wen-xiang;YUAN Fang(Institute of Art,Communication University of China,Beijing 100024,China)

机构地区：[1]中国传媒大学艺术研究院,北京100024

出　　处：《广西师范大学学报（哲学社会科学版）》2024年第6期139-152,共14页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：2023年度广电总局部级社科研究项目“网络微短剧内容供给和质量提升研究”(GD2315)。

摘　　要：在互联网时代新的媒介生态、艺术生态和产业生态中,网络文艺创作生产风生水起、如火如荼。与此相应,网络文艺评论蓬勃发展。伴随数字文化的范式转换,网络文艺评论需在系统性的审美观照中,突出强化“传统”与“现代”的历时性比较、“中国”与“西方”的共时性参照、“加强”与“修正”的反身性透视。这三个维度的审美指向和思维展开是网络文艺新实践在文艺评论上的客观反映,也是网络文艺评论发挥积极作用、促进创作生产繁荣发展的必然要求。In the new media ecology,art ecology and industrial ecology of the Internet era,the online literary criticism is booming in response to the flourishing online literary creation and production.With the paradigm shift of digital culture,online literary criticism needs to,by adopting a systematic aesthetic perspective,highlight and strengthen the historical comparison between“tradition”and“modernity”,the synchronic reference between“China”and“the West”,and the reflexive perspective of“strengthening”and“revising”.The aesthetic orientation and thinking development in these three dimensions objectively reflect the new practice of online literature and art in literary criticism,and are crucial for online literary criticism to play a positive role and promote the prosperity and development of creative production.

关 键 词：网络文艺 文艺评论 审美现代性 文艺间性 反身性 

分 类 号：I01[文学—文学理论] J05[艺术—艺术理论]