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作 者:李申曦 LI Shenxi(School of Language and Culture,Shijiazhuang Tiedao University,Shijiazhuang,Hebei 050043)
机构地区:[1]石家庄铁道大学语言文化学院,河北石家庄050043
出 处:《山东理工大学学报(社会科学版)》2024年第5期58-68,共11页Journal of Shandong University of Technology(Social Sciences Edition)
基 金:河北省高等学校人文社会科学研究青年基金:项目“两汉《诗》谏研究”(SQ2022097)。
摘 要:孔颖达编撰《毛诗正义》时,援引郑玄、王肃、孙毓之说以解《诗》,透露出其对魏晋古注的理解与态度。《郑志》记载郑玄对《诗》的论说,是对《毛传》《郑笺》的再阐释;王肃注《诗》宗毛而驳郑,对《毛传》或详解或补充申释之;孙毓或言郑说之长或秉持中立。至孔颖达作《毛诗正义》整合诸说而更为融通,彰显其欲统一诗解、平定纷争的气势与态度。When compiling Mao Shi Zheng Yi,Kong Yingda quoted the interpretations of Zheng Xuan,Wang Su,and Sun Yu to explain the Book of Songs,displaying his understanding and attitude towards these ancient annotations of the Wei and Jin dynasties. Zheng Xuan recorded his discussions on the Book of Songs in Zheng Zhi, which are further explanations of Mao Zhuan and Zheng Jian. Wang Su's commentary followed Mao Zhuan but contradicted Zheng Jian, providing detailed explanations or supplementary interpretations of Mao Zhuan. Sun Yu either praised the strengths of Zheng Xuan's interpretations or maintained a neutral stance. By integrating these interpretations in his Mao Shi Zheng Yi, Kong Yingda made them more coherent, showing his ambition to unify interpretations of the poems and resolve disputes.
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