董希文“油画中国风”美学与艺术探究  

Research on the Aesthetics and Art of Dong Xiwen's“Chinese Style of Oil Painting”

作　　者：李芷仪 吴卫[1] Li Zhiyi;Wu Wei(College of Fine Arts,Hunan Normal University,Changsha 410012,China)

机构地区：[1]湖南师范大学美术学院,长沙410012

出　　处：《艺术与设计（理论版）》2024年第9期110-112,共3页Art and Design

基　　金：国家社科基金艺术学项目“中国近现代设计教育先行者研究(1911—2011)”(项目编号:21BG120)阶段性研究成果。

摘　　要：文章探究“油画中国风”倡导者董希文的艺术思想,对当代中国油画民族化发展提供理论参考。通过相关文献阅读及其作品比较分析,分析总结出董希文油画艺术思想的三大特点:“承续敦煌特色,创新中华民族新审美”“融贯中西绘画,并蓄传统现代新风尚”“借鉴历史题材,开创叙事抒情新路径”。在20世纪中国美术的发展脉络中,董希文成功地践行了“油画中国风”的理念,不仅为现代中国油画的民族化发展指明了方向,更在中国美术史上留下了深刻的烙印。This paper probes into the artistic thought of Dong Xiwen,the advocate of"Chinese style in oil painting",and provides theoretical reference for the nationalization of contemporary Chinese oil painting.Through the comparative analysis of relevant literature reading and works,the author summarized three characteristics of Dong Xiwen's oil painting art thought:"continuing Dunhuang characteristics,innovating the new aesthetic of the Chinese nation","integrating Chinese and Western painting,and storing traditional and modern new fashion","learning from historical themes,creating a new path for narrative and lyric expression".In the development of Chinese art in the 2oth century,Dong Xiwen successfully practiced the concept of"Chinese style of oil painting",which not only pointed out the direction for the nationalization of modern Chinese oil painting,but also left a profound imprint on the history of Chinese art.

关 键 词：董希文 油画中国风 敦煌壁画 中西绘画 叙事抒情 

分 类 号：J0[艺术—艺术理论]