清代女性朝服纹样之范式与标识研究  

Research on the Paradigm and Identification of Qing Dynasty Women's Chaofu Patterns

作　　者：李晓雨 丁乾琨 梁惠娥[1,3] Li Xiaoyu;Ding Qiankun;Liang Huie(School of Design,Jiangnan University,Wuxi 214122,China;College of Textile Science and Engineering,Jiangnan University,Wuxi 214122,China;School of Media and Arts,Wuxi University,Wuxi 214105,China)

机构地区：[1]江南大学设计学院,江苏无锡214122 [2]江南大学纺织科学与工程学院,江苏无锡214122 [3]无锡学院,江苏无锡214105

出　　处：《艺术与设计（理论版）》2024年第10期122-124,共3页Art and Design

基　　金：国家社会科学基金艺术学一般项目(21BG142)。

摘　　要：朝服是清代礼服中规格等级最高的服饰,女性朝服经过历史演变,其艺术特征在清代发展至顶峰,具有装饰与标识的双重价值。文章综合考证史籍文献、实物图片等资料,以故宫博物院等馆藏的清代女性朝服为研究对象,着重对其服饰纹样进行梳理与分析。清代女性朝服的纹样范式不仅具有吉祥文化内涵,同时也体现皇室地位与女性礼仪制度的完善,具有重要的精神标识作用。Chaofu is the highest standard of formal attire in the Qing Dynasty.Through historical evolution,the artistic characteristics of women's Chaofu reached its peak in the Qing Dynasty,with a dual value of decoration and identification.The article uses historical documents,physical images,and other materials to sort out the Qing Dynasty women's Chaofu in the collection of the Palace Museum,with a focus on analyzing their clothing patterns.The pattern paradigm not only carries auspicious cultural connotations,but also reflects the improvement of the royal status and female etiquette system,and has an important spiritual significance.

关 键 词：朝服 清代 女性 纹样 范式 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程]