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作 者:马钦忠[1] Ma Qinzhong
机构地区:[1]华东师范大学现当代艺术中心
出 处:《公共艺术》2024年第3期50-56,共7页Public Art
摘 要:新媒介技术与雕塑、装置等创作的结合,空前地扩展了单体或组合造型的公共艺术容量和交互方式。矗立在任一公共空间的诸种公共艺术作品,或交互,或触碰,或适时捕捉动态,或远程同步传输,或代入幻想梦境一一它们即是古希腊时代游吟诗人的再生,用空间折迭的多点时间线和时间变厚的空间旅程,讲述着智能科技时代的城市史诗。The combination of new media technology with the creation of sculptures and installations has unprecedentedly broadened the potential and interactive approaches of public art,whether it is a single piece or a group of works.Public art pieces that stand in any public space can interact,be touched,capture motion at the right time,transmit synchronously from afar,or immerse the viewer in a dreamlike fantasy.They are the rebirth of the ancient Greek Rhapsode,taking a spatial folding of multiple timelines and a journey through a space where time has become thick,to narrate the urban epic of the intelligent technology era.
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