汉代建筑“斗拱”的三重表征形式——象形、会意与隐喻  

The Triple Representation Form of Bucket Arch in Han Dynasty Architecture:Pictography,Synopsis and Metaphor

作　　者：杨黎 YANG Li(Hubei University,430062 Wuhan Hubei)

机构地区：[1]湖北大学,湖北武汉430062

出　　处：《设计艺术研究》2024年第5期141-144,151,共5页Design Research

基　　金：2021年湖北省教育厅哲学社会科学研究重点项目(21D002)。

摘　　要：建筑为一种社会性的现象存在,其整体形象之下实则蕴含着一系列显隐相间的社会文化符号,斗拱就是其中一类最具表征性的构件之一。斗拱作为一个建筑构件早在汉代便得以定型,汉代建筑中的斗拱本身承载着多重意象,这里包含有象形、会意与隐喻等表征形式。随着木构体系的成熟,汉代斗拱在层层意象中逐步脱离自商周以来的盲目崇天,将尊人礼与重天道的文化理念投射到建筑营造中。Architecture is a social phenomenon,and its overall image contains a series of social and cultural symbols.Bucket arch is one of the most representative components.As a building component,it was shaped as early as the Han Dynasty.Then,it carried multiple images,including pictographs,meanings and metaphors.With the maturity of the wooden structure system,the Han bucket arch architecture gradually broke away from the blind worship of heaven since the Shang and Zhou Dynasties,and projected the cultural concepts of respecting human etiquette and respecting heaven into the construction of buildings.

关 键 词：汉代建筑 斗拱 象形 会意 隐喻 

分 类 号：J5[艺术—艺术设计]