基于色彩形象与可视化编程技术的成都漆器数字化研究  

Digital Research on Chengdu Lacquerware Based on Color Image and Visual Programming Technology

作　　者：唐诗怡 吕建华 陈铭 黄圣游[4] 梁祺祺 Tang Shiyi;Lü Jianhua;Chen Ming;Huang Shengyou;Liang Qiqi

机构地区：[1]四川农业大学艺术与传媒学院,四川雅安625014 [2]四川农业大学林学院,四川成都611130 [3]四川农业大学风景园林学院,四川成都611130 [4]西南林业大学艺术与设计学院,云南昆明650224

出　　处：《家具与室内装饰》2024年第10期52-58,共7页Furniture & Interior Design

基　　金：四川省科技计划重点研发项目(2023YFS0462);国家社科基金一般项目(21BMZ101);教育部人文社会科学研究青年基金项目(19YJC760009);四川农业大学学科建设双支计划(2022SYZD06);2024年省级大学生创新训练项目(S202410626010)。

摘　　要：成都漆器历史悠久,其数字化保护问题迫在眉睫,本研究旨在解决成都漆器数字化保护过程中的转化问题,首先借助NCD色彩形象坐标理论,对三种不同髹饰技法的成都漆器进行色彩形象的提取,并结合色彩坐标区域,揭示了成都漆器髹饰技法与色彩表达的内在联系。并以成都漆器色彩形象为基础,运用Touch Designer编程技术将RGB色彩转化为XYZ空间坐标,尝试构建成都漆器的数字化模型。验证了色彩在成都漆器不同技法工艺中的应用特点,并证明了使用色彩数据进行传统工艺分析和数字化转化的有效性,这一研究从理论与技术的角度为成都漆器的数字化保护开辟了新的路径。Chengdu lacquerware has a long history,and its digital preservation is a pressing issue.This study aims to address the transformation problem in Chengdu lacquerware’s digital preservation process.Using the NCD color image coordinate theory,the color images of Chengdu lacquerware with three different painting techniques were extracted,revealing the intrinsic connection between painting techniques and color expression through color coordinate areas.Based on these findings,Touch Designer programming technology was employed to convert RGB colors into XYZ spatial coordinates,constructing a digital model of Chengdu lacquerware.The study validates the application characteristics of color in different techniques of Chengdu lacquerware and demonstrates the effectiveness of using color data for traditional craft analysis and digital transformation.This research opens up new theoretical and technological pathways for the digital preservation of Chengdu lacquerware.

关 键 词：成都漆器 数字化 色彩形象坐标 可视化编程 

分 类 号：TS664.1[轻工技术与工程]