“意象”范畴的哲学美学语义辨析  

Philosphical Aesthetic Semantic Analysis of the Yixiang Category

作　　者：毛宣国 Mao Xuanguo

机构地区：[1]湖南文理学院文史与法学学院

出　　处：《中国文艺评论》2024年第11期62-77,I0003,共17页China Literature and Art Criticism

基　　金：2021年度国家社科基金重大项目“审美意象的历史发展及其理论建构研究”(项目批准号:21&ZD067)的阶段性成果。

摘　　要：“意象”是重要的哲学美学范畴,也是一个极易产生语言歧义的理论范畴。常见的混淆是将哲学美学与心理美学意义上的意象、哲学美学与诗学意义上的意象混淆起来。本文对此进行了辨析,并在此基础上探讨了意象范畴的哲学美学内涵。“意象”作为一个标示哲学美学本体意识的范畴,诞生在中国古代天人合一、物我同一的哲学背景下,是中国古代尚象重象思维的体现,是中国古代诗性文化精神的体现。意象具有圆融性、生成性、超越性、情感体验性的特点,反映了中国美学和艺术的基本特色,同时也可以作为一个现代美学和艺术范畴,进入到现代人的审美视野中。“Yixiang”is an important category of philosophical aesthetics,but also a theoretical category that is very prone to linguistic ambiguity.The common confusion is that between the yixiang in the sense of philosophical aesthetics and psychological aesthetics,and the yixiang in the sense of philosophical aesthetics and poetics.This article analyzes this point and,based on this,explores the philosophical aesthetic connotation of the category of imagery.As a category marking the ontological consciousness of philosophical aesthetics,“yixiang”was born in the philosophical background of the unity of heaven and man and the unity of matter and self in ancient China,and it is the embodiment of the thinking of the ancient Chinese who still emphasized yixiang and the embodiment of the poetic cultural spirit of ancient China.Yixiang is thus characterized by the integrate harmony,generativity,transcendence and emotional experience,reflecting the basic characteristics of Chinese aesthetics and art,and at the same time,it can also be used as a category of modern aesthetics and art,entering into the aesthetic vision of modern people.

关 键 词：意象 哲学美学 心理美学 诗学 中国传统美学 

分 类 号：B83-0[哲学宗教—美学] I01[文学—文学理论]