迈克尔·卡米尔的三重目光:“边缘”视角下的中世纪艺术史  

Michael Camille’s Triple Perspective:The History of Medieval Art from the“Marginal”Viewpoint

作　　者：潘桑柔 Pan Sangrou

机构地区：[1]中央美术学院人文学院

出　　处：《艺术设计研究》2024年第5期113-119,共7页Art & Design Research

摘　　要：作为英国中世纪艺术史家迈克尔·卡米尔的代表作—《边缘图像:中世纪艺术的边际》为人们揭示了中世纪艺术在崇高、永恒与静止之外的另一重面貌。透过流动、对话和越界的三重视角,该书在不同社会群体、文本与图像、阅读与观看、个体与公众等对立并存的关系中,系统性地探索了“边缘”对中世纪艺术形成、发展和自我更新的重要意义。As a representative work of the British medieval art historian Michael Camille,Images on the Edge:The Margins of Medieval Art reveals another aspect of medieval art beyond the conventional portrayal of it as sublime,eternal,and static.Through the triple perspectives of fluidity,dialogue,and transgression,this book systematically explores the significance of the“marginal”in the formation,development,and self-renewal of medieval art within the coexistence of opposing relations such as diverse social groups,texts and images,reading and viewing,as well as individual and public.

关 键 词：中世纪艺术 边缘 他者 书面文化 个体 

分 类 号：J05[艺术—艺术理论]