从“风骨兴寄”到“淡泊情思”——唐朝时期审美意识流变  

From“Strength of Character”to“Indifferent Sentiment”--The Evolution of Aesthetic Consciousness during the Tang Dynasty

作　　者：尹文雯[1] YIN Wen-wen(College of Literature,Heilongjiang University,Harbin 150000,China)

机构地区：[1]黑龙江大学文学院,哈尔滨150080

出　　处：《哈尔滨工业大学学报（社会科学版）》2024年第6期109-113,共5页Journal of Harbin Institute of Technology(Social Sciences Edition)

基　　金：黑龙江省教育科学规划重点课题“高校研究生‘导学思政’体系构建的探索与实践”(GJB423267);黑龙江省属高校基本科研业务费科研项目“AI赋能中华优秀传统文化传承与发展研究”。

摘　　要：审美意识一直是古代文学及艺术领域的终极问题之一。中国古代的审美意识主要是从古代的文学、绘画、艺术等多方面体现出来的。唐朝作为中国历史上国力极为鼎盛的时期,胸襟气度、疆域拓展、文学艺术发展等都呈现了独树一帜的风貌。历史上的唐朝时间跨度大,审美意识也随着政治历史等的变化呈现出流变的过程。从初唐时对隋的“风骨兴寄”审美意识的继承和发扬,再到国力强盛的盛唐时期文人的浪漫之音,直至晚唐时期凄清淡泊、禅宗意象的情怀,都昭示了时代的变迁给士人们带来的精神上的变化,同时也体现着我国古代审美意识的变迁。探寻这种审美意识流变的过程,正是探索中国古代哲学发展和审美发展的重要途径之一。Aesthetic consciousness has always been one of the ultimate issues in ancient literature and art.The aesthetic consciousness of ancient China is mainly reflected in various aspects such as ancient literature,painting,and art.The Tang Dynasty,as a period of great national strength in Chinese history,presented a unique style in terms of breadth of mind,expansion of territory,and development of literature and art.The Tang Dynasty has a long time span in history,and aesthetic consciousness has also shown a changing process with changes in political history and other factors.From the inheritance and development of the aesthetic consciousness of the Sui Dynasty in the early Tang Dynasty,to the romantic voice of literati in the prosperous Tang Dynasty with strong national strength,and to the desolate and indifferent emotions in the late Tang Dynasty,all of these demonstrate the spiritual changes brought by the changes in the times to the literati,and also reflect the changes in ancient Chinese aesthetic consciousness.Exploring the process of aesthetic consciousness transformation is one of the important ways for us to explore the development of ancient Chinese philosophy and aesthetics.

关 键 词：审美意识 诗 古代哲学 美学 

分 类 号：B834.4[哲学宗教—美学]