书法是中国哲学思想的呈现——以儒家与周易哲学为例  

Calligraphy is the Embodiment of Chinese Philosophy--Taking Confucianism and the Philosophy of the Book of Changes as Examples

作　　者：崔树强 CUI Shuqiang

机构地区：[1]北京大学美学与美育研究中心 [2]华东师范大学美术学院

出　　处：《当代美术家》2024年第6期4-12,共9页Contemporary Artists

基　　金：国家社会科学基金重大项目“中国汉字书法美学理论体系建构研究”(项目编号:22&ZD049);国家社会科学基金艺术学重点项目“中国书法美学通史(四卷本)”(项目编号:21AF008)的阶段性成果。

摘　　要：作为中国独有的艺术形式,书法不仅与汉字实用书写相形相依,而且与中国传统哲学之间有着内在的、深刻的同构性。书法的创作原理和审美观念中蕴含着独特的中国文化精神和东方智慧。本文从书法与儒家哲学、周易哲学两个方面出发探讨和梳理中国哲学如何渗透和影响中国书法,并对书法的本质、创作、鉴赏、批评以及书法家个人心性修养和人格完善所产生的深刻影响,试图发掘中国书法中所呈现的中国人独特的人文价值。As a unique art form in China,calligraphy is not only closely related to the practical writing of Chinese characters,but also has an inherent and profound structural similarity with traditional Chinese philosophy.The creation principles and aesthetic concepts of calligraphy contain unique Chinese cultural spirit and Eastern wisdom.This paper explores and elucidates how Chinese philosophy has permeated and influenced Chinese calligraphy from the perspectives of Confucian philosophy and the philosophy of the Book of Changes.It tries to uncover the unique humanistic values presented by Chinese calligraphy.

关 键 词：书法 儒家 周易 中国传统哲学 

分 类 号：J292.1[艺术—美术] B2[哲学宗教—中国哲学]