中西诗学情景交融之类型论  

Modes of Fusion Between“Feeling”and“Scene”in Chinese and Western Poetics

作　　者：杨波[1] YANG Bo(College of Foreign Languages,Capital Normal University,Beijing 100089,China)

机构地区：[1]首都师范大学外国语学院,北京100089

出　　处：《长春师范大学学报》2024年第11期115-119,共5页Journal of Changchun Normal University

摘　　要：情景交融是中国古典诗学的重要命题。然而,西方诗学尤其浪漫主义诗学中对情景关系也有不少值得关注的论述。近年来有不少学者对中国古代文论中情景交融的类型进行梳理,但从比较诗学的角度进行探讨的研究尚属少见。本文从比较诗学的角度探讨情景交融的类型问题。中西诗学中的情景交融可以分为感应模式、投射模式和互动模式三种。每种模式中,中西诗学既存在明显的共通性,又各自有其独特性。The integration of“feeling”(internal sentiments)and“scene”(external scenes)is an important topic of Chinese classical poetics.However,there are also many noteworthy discussions on the fusion of internal sentiments and external scenes in Western poetics,especially in romantic poetics.In recent years,various domestic scholars have tried to identify the modes of poetic perception responsible for the fusion between feelings and scenes in Chinese classical poetics,but research from the perspective of comparative poetics is still rather rare.This paper,therefore,attempts to explore the modes of fusion between feelings and scene from the perspective of comparative poetics.It is proposed that the integration of feelings and scenes in Chinese and Western poetics can be classified into three modes,namely,the responsive mode,the projective mode and the interactive mode.Obvious similarities can be observed between Chinese and Western poetics in each mode,but there are also significant differences.

关 键 词：情景交融 感应模式 投射模式 互动模式 

分 类 号：I0-03[文学—文学理论]