浪漫主义者的一次“双重突围”——基于对德波景观社会理论的解读  

A“Dual Breakthrough”of Romanticism:Interpretation of Debord’s Theory of the Society of the Spectacle

作　　者：殷智轩 李昌舒[1] YIN Zhixuan;LI Changshu(School of Liberal Arts,Nanjing University,Nanjing,Jiangsu,210093,China)

机构地区：[1]南京大学文学院,江苏南京210093

出　　处：《盐城师范学院学报（人文社会科学版）》2024年第6期97-103,共7页Journal of Yancheng Teachers University（Humanities & Social Sciences Edition)

摘　　要：作为商品社会的完成阶段,景观社会不仅与马克思分析的社会形态相接轨,还提供了对社会理解的新思考。在景观社会理论构建中,德波试图以景观时间和景观空间的双重维度为切口,以心理地理学批判和美学政治作为突围策略,在西方马克思主义与后马克思主义之间进行“双重突围”。这种“双重突围”是理论与实践完美统一的斗争,集个体反抗和情境主义乌托邦为一体,为全球性现代景观的突围提供了借鉴意义。Guy Debord(19311994)is a French left-wing thinker,who published his famous book entitled The Society of the Spectacle in 1967.At the completion stage of the commodity society,his theory of the society of the spectacle not only conforms to the analysis on social form by Karl Marx,but also provides a new perspective for the study on society.In the construction of the theory,Debord attempted to use the dual dimensions of time and space as a starting point,and employed psychogeographic criticism and aesthetic politics as strategies to achieve a“dual breakthrough”between Western Marxism and post Marxism.That is a struggle for the perfect unity of theory and practice,integrating individual resistance and situational utopia,providing reference for the breakthrough in the global society of the modern spectacles.

关 键 词：德波 景观社会 双重突围 马克思主义 先锋艺术 

分 类 号：I01[文学—文学理论]