音乐认同视角下凤阳花鼓传承人的身份认同及传承研究  

Study on the Inheritors’Identity and Inheritance of Fengyang Flower Drum

作　　者：陈丽萍 CHEN Liping(School of Music,Chuzhou University,Chuzhou,Anhui,239000,China)

机构地区：[1]滁州学院音乐学院,安徽滁州239000

出　　处：《盐城师范学院学报（人文社会科学版）》2024年第6期119-124,共6页Journal of Yancheng Teachers University（Humanities & Social Sciences Edition)

摘　　要：身份认同是个体对自我身份的确定及对自我所属群体的认同,其包含了个体的自我认知、情感体验,经历了个体认同到集体认同的过程。凤阳花鼓是国家级非物质文化遗产,其传承人对自我身份的认同也经历了从迷茫到肯定的流变过程,一定程度上反映了凤阳花鼓传承的历史进程。应在身份认同的基础上,构建文化认同意识,探究传承模式,加大不同文化空间的传播力度,促进凤阳花鼓在新时代的发展。Identity is an individual’s confirmation of one’s self-identity and the group which one belongs to.It includes individual self-cognition,emotional experience,as the result of the development from individual identity to collective identity.Fengyang Flower Drum is a national intangible cultural heritage,and its inheritor’s identity has experienced the evolution from being bewildered to confirmation,as part of the inheritance of the heritage.We should construct the cultural identity,explore the mode of inheritance,promote the cultural communication,so as to facilitate the development of the heritage in the New Era.

关 键 词：凤阳花鼓 身份认同 保护传承 

分 类 号：J03[艺术—艺术理论]