重述雅克·朗西埃的追问:“无意识”论中的美学叙事及历史转向  

Another Interpretation of Jacques Rancière's Inquiry:The Aesthetic Narrative and Historical Turn in the Theory of"Unconsciousness"

作　　者：杜德 Du De(Xi'an Academy of Fine Arts,Xi'an 710000)

机构地区：[1]西安美术学院,西安710000

出　　处：《新疆艺术学院学报》2024年第4期1-9,共9页Journal of Xinjiang Arts University

摘　　要：当代美学活动在共同的感性生活之外不断分割与框定着它自喻的可见性与不可见性,这在一定程度上呼应了阿瑟·丹托所言的多极化趋向的后历史时期,更表明大众意识不再一味地关注宏大历史叙事的传统。因此,美学的发展图景得以在近代高歌猛进的先锋派策应下多方发散,其中之一即沿着实验心理学的方向发展。在弗洛伊德的“无意识”论心理学研究中,美学就占据着重要地位。雅克·朗西埃作为当代后马克思主义学者,他追问链接二者本质的中间环节,进一步分离了现象与表现形式,探究使外表形式成为内部核心必然表现的性质。朗西埃本以文学的视角分析此问题,但美学在近现代的快速发展或可使其作为另一视角的重述依据,独立解答此问题。以此方式,或可进而窥得美学在当代语境所塑造的历史环境下的叙事方式及一种辩证的历史观所带来的价值。The contemporary aesthetic activities constantly divide and frame their self referential visibility and invisibility outside the common perceptual life,which to some extent echoes Arthur Danto's post-historical trend of multi-polarity and indicates that the public consciousness no longer blindly focuses on the tradition of grand historical narratives.Therefore,the aesthetics has been able to develop in various directions with the spur of the avant-garde movement that has made great strides in modern times.One of them has been developing along the path of experimental psychology.In Freud's"Unconsciousness"theory of psychology,aesthetics occupies an important position.Jacques Rancière,as a contemporary post-Marxist scholar,questioned the intermediate link that links the essence of the two,further separating phenomena and forms of expression,and exploring what makes external forms the inevitable expression of the internal core.Rancière analyzed this issue from a literary perspective,but the rapid development of aesthetics in modern times may make itself a basis for another perspective,independently answering this question.In this way,we can catch a glimpse of the narrative style of aesthetics in the historical environment shaped by contemporary context and the value brought by a dialectical historical view.

关 键 词：朗西埃 美学 审美革命 无意识 

分 类 号：B83-0[哲学宗教—美学] I01[文学—文学理论]