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作 者:索美超 SUO Mei-chao(School of Music,Shandong Normal University,Jinan 250014,China)
出 处:《北京舞蹈学院学报》2024年第4期104-113,共10页Journal of Beijing Dance Academy
摘 要:关于舞蹈与地理关系的认识散见于我国古代经、史、子、集。20世纪80年代起,从《中国民族民间舞蹈集成》的记录到舞蹈与地理的交叉研究,开始构建舞蹈与地理环境关系分析方法,并进行不同舞蹈文化区的类型总结。21世纪以来,随着“一带一路”和乡村建设等现实需求,舞蹈与地理的跨学科研究将更加深入,注重内部多样性、互动性和关联性。未来须进一步开拓文化地理学、新文化地理学与舞蹈学的跨学科研究空间,明确“舞—地—人”的研究思路,关注如文化景观、文化空间等主题,构建舞蹈地理学科体系,强调舞蹈与地理的双向互动。Dance has a natural connection with geography.The understanding and discussion of the relationship between dance and geography have existed in ancient China,but systematic research on dance geography began in the late 20th century under the influence of cultural geography.In the 1980s,with the “cultural turn” of new cultural geography research and the intersection and integration with other disciplines such as anthropology,ethnology,and cultural studies,the study of dance geography became more diversified.Looking back at the academic history of the relationship between dance and geography,not only can we discover the process and approach of dance geography research,laying an important academic foundation for future dance geography research,but it is also of great significance for studying the cultural characteristics and exchange of multi-ethnic dances in different regions under the consciousness of the Chinese national community.
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