文艺审美意识形态的“物性”之思  

Reflections on“Thingness”in Literary Aesthetic Ideology

作　　者：李艳丰[1] Li Yanfeng

机构地区：[1]华南师范大学文学院,广州510006

出　　处：《中国社会科学》2024年第11期66-86,205,共22页Social Sciences in China

摘　　要：传统人文主义文艺批评认为文学即人学,注重文学艺术人文精神的理论阐释,凸显文艺的审美与人文属性,淡化文艺的“物性”。马克思主义文艺批评理论立足于历史唯物主义视域,从社会历史、人类实践与意识形态的整体结构出发,将文学艺术视为审美意识形态。文学艺术作为意识形态的美学形式,具有深刻的“物性”内涵,文学艺术的“人性”与“物性”在审美实践中达成了美学唯物主义的辩证融合。马克思主义文艺研究要真正激活文艺作为审美意识形态的物质活力与文化价值,就必须反思人文主义批评和形式审美批评的话语范式,重视意识形态的物质结构内涵,重申并建构文艺审美意识形态的“物性”诗学之维。In the realm of traditional humanistic literary criticism,literature is seen as the study of humanity with a focus on theoretical interpretations of the humanistic spirit,highlightingg its aesthetic and humanistic attributes,while downplayingits"thingness."On the basis of historical materialism,Marxist literary criticism regards literature as an aesthetic ideology originating from the complex and integral structure of social history,human practice and ideology.As an aesthetic form of ideology,literature carries profound implications of"thingness."The"humanity"and"thingness"of literature achieve a dialectical synthesis of materialism through aesthetic practice.To truly unleash the material vitality and cultural value of literature as a form of aesthetic ideology,Marxist literary studies must reflect upon the discourse paradigms of humanistic criticism and formal aesthetic criticism,and emphasize the material structural connotations of ideology in order to reaffirm and reconstruct the poetic dimension of"thingness"within literary aesthetic ideology.

关 键 词：历史唯物主义 审美意识形态 物性 文艺批评理论 

分 类 号：B036[哲学宗教—哲学理论] I01[文学—文学理论]