陈献章诗文中的“隐逸”审美观及其美育价值探析  

An Analysis of the Reclusiveness Aesthetics in Chen Xianzhang’s Poems and Its Aesthetic Education Value

作　　者：杨舟 YANG Zhou(Sichuan Normal University,Chengdu 610068,China)

机构地区：[1]四川师范大学,四川成都610068

出　　处：《扬州教育学院学报》2024年第4期56-61,共6页Journal of Yangzhou College of Education

基　　金：四川青少年美育研究中心重点项目(SCQM2023-A13)。

摘　　要：陈献章将“心”与“道”放置在同等地位,从而建立了“心与道合”的心学体系,并由此展开了他的诗文创作,其中传达出浓厚的“隐逸”审美观。通过对陈献章的诗文进行分析并结合个人经历,可以挖掘出其诗文中以“淡泊名利、隐于自然、一醉千秋、推崇隐士”四个层次逐级搭建所组成的“隐逸”审美观,体现出其对社会现实进行批判与追求生命解放、回归本真的独特精神。陈献章凭借与家风教育密切关联的“隐逸”审美观,为后世学人所继承宣扬,并赋予其提高精神境界与丰富人格修养的美育价值意义。Putting the mind and the way(Tao)on equal footing,Chen Xianzhang established his mind philosophy of“unity of the mind and the way”,upon which he created his poetry full of strong reclusiveness aesthetics.By analyzing Chen’s poems and his personal experience,we comprehend the reclusiveness aesthetics in his poems built through the following four levels,i.e.“indifferent to fame and fortune”,“secluding in the nature”,“indulging in liquor”,and“aspiring seclusion”,which reflects his criticism of social reality and his unique spirit of pursuing the liberation of life and returning to the nature.Chen Xianzhang’s reclusiveness aesthetics,which originated from his family education,has been inherited and promoted by later generations of scholars,and has been endowed with the significance of aesthetic education to improve the spiritual realm and enrich personality cultivation.

关 键 词：陈献章 中国美学 隐逸 美育 

分 类 号：I207.227[文学—中国文学]