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作 者:闫彤 YAN Tong(Faculty of Liberal Arts,Northwest University,Xi'an Shaanxi,710000,China)
出 处:《文化创新比较研究》2024年第30期49-52,共4页Comparative Study of Cultural Innovation
基 金:2023年度国家社会科学基金重大项目“世界创意写作前沿理论文献的翻译、整理与研究”(项目编号:23&ZD294);2023年陕西省教改项目“基于新文科的创意写作卓越人才培养模式改革与创新研究”(项目编号:23BY038);2023年陕西省学位与研究生教育研究重点项目“‘文化+专业+产业’三结合的高层次网络文学人才培养课程及教学体系研究”(项目编号:SXGERC2023059);2021年西北大学实验教学项目“历史小说创作中虚实交互情境塑造虚拟仿真教学实验”的阶段性成果;2022西北大学本科人才培养建设项目“创意写作课程体系优化与教学内容改革研究与实践”阶段性成果。
摘 要:近年来,“两创”(中华优秀传统文化的创造性转化、创新性发展)视域下故事新编成为影视作品热衷表达的焦点,讲好中国故事、传承中华优秀传统文化成为荧屏上经久不息的题材,继神话传说、志怪传奇后,创造者将目光转向了历史人物和历史事件,如何让观众已经熟知的人物焕发出新的风采,成为电影取胜的关键。该文以电影《长安三万里》中“故事新编”下重现的长安和盛唐为文化背景和前提,以李白的人物形象为研究重点,浅析《长安三万里》基于“文化符号”中的谪仙李白所重构的李白的角色形象,以此梳理历史人物在现代文化视域下如何进行再创造,展示历史人物的“两创”重构,同时为中华优秀传统文化的创新传播提供一个新的可能。In recent years,new storytelling under the perspective of"two creation"has become the focus of film and television works,and telling Chinese stories and inheriting traditional culture have become the unceasing themes on the screen.Following myths and legends,and the legend of the mythical,the creators have turned their attention to historical characters and events,and how to make the audience's already familiar characters glow with a new style has become the key to winning the film.How to make the audience already know the characters with a new style has become the key to win the film.In this paper,we take Chang'an and the Tang Dynasty,which are reproduced in the film Chang An under the"new story",as the premise of cultural background,and take Li Bai's character as the focus of the research,and analyse Li Bai's character image reconstructed in Chang An based on the"cultural symbols"of the banished Li Bai,so as to sort out the historical character image.The study focuses on the character image of Li Bai,which is reconstructed in Chang An based on the"cultural symbols"of the banished Li Bai,in order to analyse how historical characters are recreated in the modern cultural perspective,to demonstrate the reconstruction of the"two creations"of historical characters,and to provide a new possibility for the innovative dissemination of traditional Chinese culture.
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