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作 者:刘倩妤 LIU Qianyu(Collage of Arts and Media,Beijing Normal University)
机构地区:[1]北京师范大学艺术与传媒学院
出 处:《印刷文化(中英文)》2024年第4期181-192,共12页Print Culture
摘 要:中国木刻版画经历了上千年的发展历程。如今,数字化时代催生出了一系列新型技术手段,中国传统版画的艺术观念与呈现形式在印刷技术的迭代下深受影响,产生了由数字印刷为主要技术手段的数码版画。数码版画的出现推动中国传统版画走向革新,也为传统的版画艺术带来了技法、形式与观念上的挑战。文章梳理了中国版画与印刷技术的发展脉络,基于印刷载体与印刷技术在版画中的应用、数码版画与传统版画的比较,对数码版画艺术形式展开批判性思考,并对中国版画的未来发展进行展望。研究旨在通过探究数字印刷技术对中国传统版画的影响,以新时代视角看中国版画的多元发展趋势,并鼓励观者以积极的态度探索新型艺术形式,重思数码版画的艺术价值。The replication of woodblock prints in China has a history of over a thousand years,evolving through a long process from ancient times to the present day.In the digital era,a series of new technological advancements have emerged,profoundly influencing the artistic concepts and presentation forms of traditional Chinese printmaking.These technological changes have expanded the boundaries of printmaking and given rise to new forms,such as digital prints,which differ significantly from traditional printmaking.The emergence of digital printmaking has driven innovation in traditional Chinese printmaking,while the underlying digital printing technology has also presented challenges in terms of techniques,forms,and concepts,thereby refreshing people's understanding of traditional printmaking.Currently,digital printmaking remains a highly controversial and actively explored art form.This article critically examines the new digital printmaking art form,considering aspects such as printing media,the application of printing technology in printmaking,and the comparison between digital and traditional printmaking.The aim is to explore the impact of digital printing technology on traditional Chinese printmaking,to examine its diverse developmental trends from a contemporary perspective,and to encourage viewers to approach this new art form with a positive attitude,while also promoting rational and objective exploration of its artistic value.
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