浅论《诗经》的意境创造  

Comments on the Creation of Artistic Conception in The Book of Songs

作　　者：于衍存[1] 李宝龙[2] 

机构地区：[1]延边大学师范学院,吉林延吉133002 [2]延边大学师范学院中文系,吉林延吉133002

出　　处：《延边大学学报（社会科学版）》2002年第3期87-91,共5页Journal of Yanbian University：Social Science Edition

摘　　要：意境的创造早在《诗经》时代就已开始。《诗经》中不但有景境、情境的创造,而且还有了有我之境和无我之境的创造,并且相当纯熟地运用了情景交融、虚实相生的意境创造方法。这些可以说是后世诗歌意境创造的导源,意义深远。The creation of artistic conception dated from the era of The Book of Songs. There was the creation of circumstances and feeling in The Book of Songs. Meanwhile, there were creative methods of artistic conception which embodied as the skillful use of feeling harmonized with setting and the mutual dependence of illusion and realness as well. It can be said that all these are derivation of the creation of artistic conception for posterior poetry. So to speak, it stands farsearching historical significance.

关 键 词：《诗经》 意境 情景交融 导源 

分 类 号：I207.22[文学—中国文学]