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作 者:陈昊 CHEN Hao(School of Humanities,Shenzhen University,Shenzhen,Guangdong 518060)
出 处:《文化艺术研究》2024年第6期24-33,113,共11页Studies in Culture and Art
基 金:国家社会科学基金项目“西方幽默美学研究”(项目编号:21BZX126)的阶段性成果。
摘 要:何为“日常美学”?“日常美学”何为?20世纪后半叶,随着人们对自然和环境的重新关注,以及对大众艺术的探索,英美传统美学中将美学等同于艺术哲学的局限性开始受到挑战,“日常美学”就是这一挑战的产物。如何打开“日常美学”?这仅仅意味着将构成人们日常生活的物品、事件和活动纳入美学思考之中,还是意味着面对美学涵摄日常生活议题时所采取的新的理论应对方案?日常审美如何从“日常偏好”演化为“宏观语境”?日常生活中,审美判断何以影响道德判断?“审美证言”是否可能?卢卡奇、亚当·斯密、康德、布朗肖等西方哲学家的美学思想为“日常美学”提供了何种思想资源?中国传统的“乐”“感兴”等范畴能为“日常美学”带来何种启示?进而言之,在琴棋书画、诗酒香茶的日常生活之外,“日常美学”如何参与“艺术乡建”“城中村保护”乃至“宝兴摄影”的社会实践?这些都是值得认真思考、不断拓展的。What is "everyday aesthetics",and what does it do? In the latter half of the 20th century,renewed attention to nature and the environment,alongside explorations of popular art,challenged the traditional AngloAmerican view that equates aesthetics with the philosophy of art."Everyday aesthetics" emerged as a product of this challenge.But how should we understand it? Does it merely extend aesthetic inquiry to objects,events,and activities of daily life,or does it represent a new theoretical response to incorporating everyday life into aesthetic discourse? How does it evolve from "everyday preference" into a broader contextual framework? In what ways do "aesthetic judgments" influence "moral judgments" in everyday life? Can "aesthetic testimony" exist? What intellectual resources do philosophers such as Lukács,Adam Smith,Kant,and Blanchot offer for the development of everyday aesthetics? Additionally,how might traditional Chinese categories such as "rituals and music" and "inspired feelings" contribute to this field? Moreover,beyond the traditional Chinese artistic lifestyle,how can everyday aesthetics participate in social practices such as artistic rural construction,urban village preservation,and even the photography in Baoxing? These are all questions worthy of thoughtful exploration and expansion.
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