中国传统艺术主题类型:基于二十四史《儒林传》的考察  

An Examination on the Themes in Traditional Chinese Art:Taking the Biographies of the Confucian Scholars of the Twenty-Four Histories as an Example

作　　者：赫云[1] 李倍雷[1] HE Yun;LI Beilei(School of Art,Southeast University,Nanjing 211189)

机构地区：[1]东南大学艺术学院,南京211189

出　　处：《文化艺术研究》2024年第6期69-82,115,共15页Studies in Culture and Art

基　　金：国家社科基金艺术学重点项目“基于二十四史《隐逸传》的传统艺术隐逸主题体系研究”(项目编号:24AA003)的阶段性成果。

摘　　要：二十四史《儒林传》是为传授与发展儒家学说的儒士所立的类传,本质上是通过正史传承儒家正统文化思想。中国传统艺术以儒家为主体,以道家为本体。艺术主体表达了儒家文化与思想,形成了“成教化,助人伦”“穷神变,测幽微”“明劝戒,著升沉”等艺术主题;艺术本体是形式的自律,是关于“解衣槃礴”之境的各种表现形式。在《历代帝王图》《列女志图卷》《女史箴图》《伏生授经图》《步辇图》《孟母图》《十弟子图》《孝经图》以及各种“孝子图”“雅集图”“高士图”“岁寒三友图”等图像中,这些中国传统艺术的主体都属于儒学文化与思想,又分属不同艺术主题类型。The Biographies of Confucian Scholars within the Twenty-Four Histories is dedicated to Confucian scholars who propagated and advanced Confucian teachings.Essentially,it serves as a medium for transmitting orthodox Confucian philosophy through historiography.Traditional Chinese art draws on Confucianism as its framework,while Daoism serving as its core.The thematic focus of Confucianism in art is reflected in concepts such as "cultivating morality and aiding societal harmony","exploring the profound and subtle",and "promoting ethical guidance through depictions of rise and decline".Meanwhile,the core of traditional Chinese art emphasizes the self-discipline of artistic forms and explores expressions of unrestrained creativity and spiritual liberation.In artworks such as The Thirteen Emperors,Wise and Benevolent Women,Admonitions of the Instructress to the Court Ladies,Fusheng Teaching the Classics,Emperor Taizong Receiving the Tibetan Envoy,Portrait of Mengzi's Mother,The Ten Principal Disciples,Paintings of the Classic of Filial Piety,and various Images of filial sons,elegant gatherings,recluse scholars,and Three Friends of Winter,the themes of traditional Chinese art manifest Confucian ideals while representing diverse thematic expressions.

关 键 词：二十四史 《儒林传》 传统艺术 主题类型 

分 类 号：J209[艺术—美术]