近代粤绣设计范式转换的阐释与解读  

Elucidation and Interpretation of the Paradigm Shift in Modern Cantonese Embroidery Design

作　　者：杨秋华 YANG Qiuhua(School of Innovation and Creation Design,Shenzhen Polytechnic University,Shenzhen 518055,China)

机构地区：[1]深圳职业技术大学创新创意设计学院,广东深圳518055

出　　处：《服装学报》2024年第6期556-561,共6页Journal of Clothing Research

基　　金：广东省哲学社会科学规划课题项目(GD24CYS14);中国工艺美术学会社科规划课题项目(CNACS2023-II-01)。

摘　　要：运用科学哲学、图像学和文献学等理论,深入探讨近代粤绣设计范式转换的历史情境与驱动力,以及其与设计观念、设计途径、商贸模式转换之间的关系和过程。研究表明,近代粤绣设计范式的转换是多种因素共同作用的结果,其不仅受到社会变革、审美观念、生产与商贸模式变化等因素的影响,同时还受到新美术与实用工艺等理念的浸染,进而形成了粤绣采中原之精粹、纳四海之新风的独特风格。This paper adopted theories such as the philosophy of science, iconology and philology to deeply explore the historical situation and driving forces of the transformation of the design paradigm of Cantonese embroidery in modern times, as well as the relationships and processes between it and the transformation of design concepts, design approaches and business and trade models. The study shows that the transformation of the design paradigm of Cantonese embroidery in modern times is the outcome of the joint effect of multiple factors. It is not only influenced by factors social changes, aesthetic concepts, changes in production and business and trade models, but also influenced by the concept of new art and practical craftsmanship, etc., and thus has formed the unique style of Cantonese embroidery that absorbs the essence of the Central Plains and incorporates new trends from all over the world.

关 键 词：近代 粤绣设计 范式转换 观念 途径 商贸模式 

分 类 号：TS935.15[轻工技术与工程] TS941.2