中西互鉴视阈中潘知常的生命美学再思考  

Rethinking of Pan Zhichang’s Life Aesthetics from Mutual Learning between China and the West

作　　者：杜璇 孟焱 DU Xuan;MENG Yan(School of Foreign Languages,Huainan Normal University,Huainan 232038,Anhui,China)

机构地区：[1]淮南师范学院外国语学院,安徽淮南232001

出　　处：《兰州文理学院学报(社会科学版)》2025年第1期42-48,共7页Journal of Lanzhou University of Arts and Science(Social Sciences Edition)

基　　金：安徽省教育厅重点科研项目“沃尔特·惠特曼(Walt Whitman)的浪漫诗在中国的批判性接受与本土化重构——以皖南现当代诗作为核心”(2022AH051548);安徽省高校哲学社会科学研究优秀科研创新团队项目“《淮南子》译介传播及中西文化交流研究创新团队”(2023AH010052);2023年度安徽省高校哲学社会科学研究重点项目“变译理论视域下的豆腐文化译介研究”(2023AH051525);2024年安徽省教育厅高校科研计划编制重点项目“跨文化传播视角下徽文化外宣翻译研究”(2024AH053246)。

摘　　要：中国美学名家潘知常从中国传统美学的核心精神“生”“情”“境”出发,构建了“生命视界”“情感为本”“境界取向”的“情本境界生命论”“美学体系”。他用拿来主义的态度,广泛吸收借鉴中外美学、文学、哲学思想宝库,打通古今,融汇中西,形成独特的生命美学体系,对中国文论的建设和美学的发展带来一定启示。From the perspective of the integration of Chinese and Western thought,this paper conducts a profound analysis of the sources of the aesthetic system of the“Life-Emotion-Horizon Theory of Aesthetics,”which was constructed by a renowned Chinese professor of aesthetics based on the core spirits of traditional Chinese aesthetics:“life”,“emotion”,and“horizon”.It elaborates on his adoption of an eclectic attitude,broadly absorbing and drawing upon the treasures of Chinese and Western aesthetics,literature,and philosophy,bridging the ancient and the modern,and integrating the East and the West,to form a unique aesthetic system of life.This system brings certain enlightenments to the construction of Chinese literary theory and the development of aesthetics.

关 键 词：生命美学 生命本体 情本境界生命论 艺术与审美 

分 类 号：B83-069[哲学宗教—美学]