数码时代超文本结构:交互设计的非线性、双向链接的反思  

Hypertext Structure in the Digital Era:Reflection on Nonlinear Interaction Design and Bidirectional Links

作　　者：吴宛恬 WU Wantian(Taiwan Yang Ming Chiao Tung University,300 Hsinchu Taiwan China)

机构地区：[1]台湾阳明交通大学,中国台湾新竹300

出　　处：《设计艺术研究》2024年第6期64-70,共7页Design Research

摘　　要：交互设计作为当代典型的数字艺术形态,正在推动艺术领域创新和发展。数字技术突破传统艺术固有的边界,使艺术家、作品及观者之间进行多维度的互动,这种交互性赋予艺术更多创作的可能性。马克·伯恩斯坦(Mark Bernstein)的超文本理论为交互设计提供新的视角,归纳结构与节点属性,挖掘其中蕴含非线性、双向链接性及链接连贯性的特征,充分利用节点、链接、网络等元素,从而建立交互设计的原则。交互设计具备超媒体和超文本特征,结构中的节点内容可相互指涉和补充内涵,丰富交互作品的层次。从传统文本至超文本更迭,传统艺术至交互作品嬗变,数字技术为当代艺术提供更加开放性的结构,并构建新的途径和表现方式。Interaction design, as a typical contemporary digital art form, is promoting innovation and development in the art field. Digital technology breaks through the inherent boundaries of traditional art and enables multi-dimensional interactions between artists, works and viewers. This interactivity opens up new possibilities for artistic creation. This paper uses Mark Bernstein's hypertext theory to provide a new perspective for design. By examining the structure and node attributes, the paper explores the characteristics of nonlinearity, bidirectional links and link coherence, and make full use of node and link interaction design with hypermedia and hypertext characteristics. The node contents in the structure can refer to each other and supplement the connotation, enriching the levels of interactive works. From traditional text to hypertext, and from traditional art to interactive works, digital technology provides a more open structure for contemporary art and builds new paths and ways of expression.

关 键 词：数码时代 超文本结构 交互设计 非线性 双向链接 

分 类 号：J5[艺术—艺术设计]