柳永《乐章集》的声音书写及身份认同  

Literary Writing of Sound and Identity Revealed in Liu Yong's Collected Melodies

作　　者：姚逸超 Yao Yichao

机构地区：[1]浙大城市学院中文系

出　　处：《励耘学刊》2024年第2期20-35,309,共17页

基　　金：国家社会科学基金后期资助项目“北宋前期词调研究”,项目编号:22FZWB025。

摘　　要：柳永《乐章集》中有丰富的听觉意象,在沿用凝定的文学内涵之外,于艺术表现与情感寄寓层面形成了新的表达传统。同时,柳永结合自己都市缝、羁旅征尘的生活经历创造了新的听觉意象,为词体带来了不同于以往的声音表现。柳永词对听觉意象的运用书写展现出柳永词与花间南唐词、敦煌曲子词间传承、借鉴、革新的发展脉络,体现了柳永对词体表现艺术的探索与贡献。柳词中的声音书写更是观察柳永身份认同与词风转向的重要窗口。在羁旅行役词的创作中,融和了词人现实处境又渊源于“宋玉悲秋”传统的典型听觉意象成为柳永身份认同的外化体现,作为士人情感共鸣的纽带与载体助推柳词在新的文艺圈中获得认同。There are rich auditory images in Liu Yong's Collection of Melodies.Apart from inheriting the established literary connotation,these auditory images have formed a new expression tradition in artistic and emotional expression.At the same time,Liu Yong created new auditory images by combining his own life experience of tender urban life and hard travel life,which brought a different voice performance to the ci.The use of auditory images in Liu Yong's ci shows the development of inheritance,reference and innovation among Liu Yong's ci,Huajian Nantang ci and Dunhuang Quzi ci,and embodies Liu Yong's exploration and contribution to the art of ci expression.The sound writing in Liu Yong's ci is also an important window to observe Liu Yong's identity and the turn of his ci.Liu Yong frequently used typical auditory imagery in Song Yu's tradition of mourning for autumn in the creation of travel ci.These images combine the author's realistic situation and profound literary traditions.They became the external manifestation of Liu Yong's identity,and also the bond and carrier of the scholars'emotional resonance,helping Liu Ci to form a good literary interaction in the new literary circle.

关 键 词：柳永 《乐章集》 听觉意象 声音书写 身份认同 

分 类 号：I20[文学—中国文学]