论《史记·屈原贾生列传》中屈原形象的历史建构  

On the Historical Construction of Qu Yuan's Image in The Biography of Qu Yuan and Jia Yi in the Records of the Grand Historian

作　　者：刘海星 傅华[1] LIU Haixing;FU Hua(China West Normal University,Nanchong Sichuan,637002,China)

机构地区：[1]西华师范大学,四川南充637002

出　　处：《文化创新比较研究》2024年第35期56-60,共5页Comparative Study of Cultural Innovation

基　　金：西华师范大学国家级一般培育项目“预叙与中国古代叙事传统建构研究”(项目编号:20A030)。

摘　　要：《史记·屈原贾生列传》历来被视为研究屈原最重要的材料。该文立足于《史记·屈原贾生列传》中屈原形象,在西汉时期“发现屈原”和“建构屈原”的历史语境中追溯屈原现象被形塑的历史。落足文本,从楚文“以奇为美”和想象诗学角度观照探究屈原形象在司马迁笔下具体建构的文学实践,分析其对楚文化自觉的接受。进而发掘《史记·屈原贾生列传》中屈原形象建构的历史因由,即司马迁将士人对其形象的“文化记忆”从“个人记忆”推向“集体记忆”。着重对源于汉武帝时期士人自下而上的“文化认同”和统治阶级自上而下的政治实践的历史动因展开阐析。The Biography of Qu Yuan and Jia Yi in Records of the Grand Historian has been regarded as the most important material for study of Qu Yuan.This paper is based on the image of Qu Yuan in the biography,and traces the history of the shaping of the Qu Yuan phenomenon in historical context of the"discovery"and"construction"of Qu Yuan in the Han Dynasty.Focusing on the text,the paper explores the literary of the specific construction of Qu Yuan's image under the pen of Sima Qian from the perspective of"the beauty of oddity"and imaginative poetics,and analyzes its acceptance of the conscious awareness of Chu culture.Furthermore,the paper explores the historical reasons for the construction of Qu Yuan's image,that is,Sima Qian pushed the"cultural memory"of the scholars on his image from"personal memory"to"collective memory".The paper particularly elaborates on the historical dynamics of the"cultural identity"of scholars from the bottom up and the political practice the ruling class from the top down during the reign of Emperor Liu Che.

关 键 词：屈原 《屈原贾生列传》 建构 文化认同 司马迁 美学 

分 类 号：K204.2[历史地理—历史学]