基于博物馆展陈空间的沉浸式戏剧策划与实施  

Planning and implementation of immer sive drama within museum exhibition spaces

作　　者：郝倩倩[1] 廖红[1] 李敏 耿娴[1] 李竞萌 Hao Qianqian;Liao Hong;Li Min;Geng Xian;Li Jingmeng(China Science and Technology Museum,Beijing 100101,China)

机构地区：[1]中国科学技术馆,北京100101

出　　处：《今日科苑》2024年第11期83-91,共9页Modern Science

基　　金：国家自然科学基金,基于“拉索”科学工程的舞台剧及相关科普产品开发(项目编号:12442025)。

摘　　要：基于博物馆展陈空间的沉浸式戏剧,以其独特的叙事结构和表达方式,有益于重塑博物馆物理空间、展览展示以及和公众之间的对话交流模式,创新文化表达和知识传播方式。本文在梳理基于博物馆展陈空间的沉浸式戏剧相关概念的基础上,阐释其特征,以中国科技馆创编的沉浸式游园剧《文明的烛火》为例,详细分析选题策划、剧本撰写、场景设计、演员遴选及演出总结等开发实施关键环节,并从内容编创、运营管理、人才培养、跨界合作方面提出未来发展建议。With its unique narrative structure and expressive methods,immersive drama within museum exhibition spaces is beneficial in reshaping physical space of museums,exhibition presentations and communication patterns with the public,thereby innovating cultural expression and knowledge dissemination methods.Based on a systematic review of relevant concepts related to immersive drama within museum exhibition spaces,this paper elucidates its characteristics and takes the immersive processional drama"The Candlelight of Civilization"created by the China Science and Technology Museum as an example to conduct a detailed analysis of key development and implementation aspects such as topic selection and planning,scriptwriting,scene design,actor selection,and performance summary.Furthermore,it puts forward future development suggestions from the perspectives of content creation,operational management,talent cultivation,and cross-sector collaboration.

关 键 词：博物馆 沉浸式戏剧 科学 文化 融合 

分 类 号：G63[文化科学—教育学]