美学的愉悦  

The Concept of Pleasure in Aesthetics

作　　者：童明 Toming Jun Liu(Xi’an Fanyi University,Xi’an,Shaanxi Province,China;Department of English,California State University,Los Angeles,U.S.A.)

机构地区：[1]西安翻译学院,陕西西安710105 [2]美国加州州立大学洛杉矶分校英语系

出　　处：《外国文学》2025年第1期180-189,共10页Foreign Literature

摘　　要：美学研究如果只关注“美感”而忽略“愉悦”,则缺失一个关键维度。作者以西方文论史为脉络,探讨不同历史时期与“愉悦”相关的各种视角及见解,展现一个揭示“愉悦”宽广语义的理论链:亚里士多德提出再现即愉悦;贺拉斯将愉悦和教化作为诗的双重目的;锡德尼在文艺复兴的精神体系中将愉悦和神性联系在一起;华兹华斯将愉悦归于诗人的特殊感知。文章接着讨论美学中愉悦的几个维度:愉悦和负面情绪的混合并存;愉悦和文学形式的关系;愉悦和阅读的关系。Making“sense of beauty”the only focus in the studies of aesthetics while not paying enough attention to“pleasure”would be a serious oversight.With the history of literary theories as the framework,this article explores perspectives and aspects pertaining to the question in different historical contexts in order to reveal the wideranging connotations of pleasure.The article identifies a chain of related theories:how Aristotle links pleasure to representation;how Horace includes both pleasure and instruction as the dual function of poetry;how Sidney defines pleasure in the Renaissance ideological architectonike;how Wordsworth attributes pleasure to the poet’s special perception.Several dimensions of pleasure in aesthetics are further explored:pleasure’s coexistence with negative emotions;connections between pleasure and literary forms;pleasure in relation to reading.

关 键 词：美学 愉悦 负面情绪 文学形式 文学阅读 西方文论史 

分 类 号：I0[文学—文学理论]